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On his second album, The Fatalist, Carl “Buffalo” Nichols does things with the blues that might catch you off guard. There’s 808 programming, chopped up Charley Patton samples, washes of synth. There’s a consideration of the fullness of the sonic stage and the atmospherics of the music that can only come with a long engagement with electronic music. But this is no gimmicky hybrid or attempt to turn the blues into 21st century music by simply dressing it with skittering hi-hats. Nichols’ vision for the blues is of a form of music that’s intimately tied to everyday life in 2023, something that’s reflected not only in the choice of instrumentation, but in the complexities of the songwriting and the gray areas his lyrics explore.
Playing older than his 26 years, Eli Winter has long demonstrated mastery over solo guitar composition and performance, which has received praise from Pitchfork, The Guardian, Stereogum, NPR and others. Winter’s latest album, Eli Winter (Three Lobed, 2022), lives up to the promise that is inherent within the mere construct of an eponymous album – a statement, a reinvention. Assisted by a murderer’s row of peers and contemporaries including Cameron Knowler, Yasmin Williams, David Grubbs, Ryley Walker, Tyler Damon, jaimie branch, and others, Eli Winter showcases a compositional depth and authoritative skill only hinted at on Winter’s rightfully acclaimed previous work.
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